The artist of this work emphasized "the thing as a whole, its quality as a whole" by: indicating that Paint on a flat surface lacks the inherent power and specificity of actual space. This statement is suggestive of the fact that artists must also take into consideration the practice of rooting for actual spaces rather than using lines and paint to create the illusion of one.
The artist speaking here is Donald Judd.
From the United States, and having lived between 1928–1994, Donald Judd was an important figure in the history of postwar art.
He attended classes at the New York Art Students League in the 1950s and pursued studies in philosophy and art history.
He first gained notoriety as an art critic while penning critiques for Arts magazine between 1959 and 1965.
In the above excerpt, he criticizes the relegation of space in architecture as using three dimensional or two dimensional illusions that tend to create one.
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